House of Rhys MMXXV ROAD RHYS
Index ▾
ON THE ORIGIN OF THE HOUSE

The House of Rhys

A studio of one, recently founded. The "House" is a small joke I plan to live up to. What follows is how I got here, what I believe, and what I keep on the shelf — kept honest where it matters.


I.

How This Started

A short timeline. The lineage of one. Future Folio entries will fill in the gaps.

  1. circa MCMXCV

    A boy in a Midwestern American town stops mid-sidewalk for a 1980s Porsche 911 idling at a stoplight. He does not move until it does. He is roughly five years old. This is the first entry in a notebook that, much later, becomes this site.

  2. circa MMI

    A summer in Budapest with a Hungarian grandfather who knows the name and model of every car on the boulevard — Trabants, Skodas, Wartburgs, the occasional Mercedes — and pronounces a small editorial on each in turn. The boy learns that taking a machine seriously is its own form of affection.

  3. MMXIII

    A first camera. A first essay, written privately, on a 1968 BMW 2002 a neighbour declined to sell him. The essay does not change the neighbour's mind. It does change the writer.

  4. MMXX—MMXXIV

    Four years of writing about cars on the side of other work. Notebooks accumulate. A folder of unsent letters to chassis owners accumulates. The conviction that someone ought to be making this kind of record, in earnest, accumulates fastest.

  5. MMXXV

    Road Rhys is founded — a one-person studio, the House newly built, the ledger newly begun. Ledger № 0001 is shot in October. The first Folio is filed in November.

  6. MMXXVI

    The site opens to the public. Six entries in the Archive. Three in the Folio. The work continues at its own pace — which is unhurried, and on purpose.


II.

Rhys

THE CURRENT CURATOR
CHARCOAL · UNDATED

American, Hungarian by way of grandparents, lifelong car person. I started this studio in MMXXV after about a decade of writing privately about machines I couldn't afford and a few I could.

I answer my own correspondence. I travel to wherever the car is. I do not, despite the conceit, actually live in a manor.

— RHYS


III.

The Credo

I think a machine of consequence is not a possession but a passage. It is held in trust against the patience of its next keeper.

I make these records to honour that trust — in language, in film, and in the small disciplines of cataloguing.

The work is unhurried by choice. New entries appear when something has earned an entry. Not before.

— Rhys, MMXXVI


IV.

The Crest

House of Rhys MMXXV
  • FIRST QUARTER · WHEEL

    The wire spoke. The first principle of locomotion.

  • SECOND QUARTER · LAUREL

    For machines that have earned a victory and the right to be quiet about it.

  • THIRD QUARTER · ROAD

    The vanishing point. The horizon kept in mind.

  • FOURTH QUARTER · MMXXV

    The year I started this. The first inscription on a long page.


V.

The Library

What I keep on the shelf, in roughly the order I open it.

  • · L. J. K. Setright — Drive On!, the first imprint
  • · Pomeroy — The Grand Prix Car, both volumes (a luxury acquired in instalments)
  • · Stevens & Pomeroy — The Vintage Motor Car
  • · Boddy — The History of Brooklands
  • · Ezra Dyer — Don't Grind the Gears (read for the unromantic prose)
  • · A run of Road & Track from 1968 to 1979, bought one issue at a time from an estate sale in Cleveland
  • · A small shelf of Hungarian motoring publications, mostly unread, kept for the photographs